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安徒生童话 CHILDREN'S PRATTLE

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  1872

  FAIRY TALES OF HANS CHRISTIAN1 ANDERSEN

  EVERYTHING IN THE RIGHT PLACE

  by Hans Christian Andersen

  IT is more than a hundred years ago! At the border of the wood,

  near a large lake, stood the old mansion2: deep ditches surrounded it

  on every side, in which reeds and bulrushes grew. Close by the

  drawbridge, near the gate, there was an old willow3 tree, which bent4

  over the reeds.

  From the narrow pass came the sound of bugles5 and the trampling6 of

  horses' feet; therefore a little girl who was watching the geese

  hastened to drive them away from the bridge, before the whole

  hunting party came galloping7 up; they came, however, so quickly,

  that the girl, in order to avoid being run over, placed herself on one

  of the high corner-stones of the bridge. She was still half a child

  and very delicately built; she had bright blue eyes, and a gentle,

  sweet expression. But such things the baron8 did not notice; while he

  was riding past the little goose-girl, he reversed his hunting crop,

  and in rough play gave her such a push with it that she fell

  backward into the ditch.

  "Everything in the right place!" he cried. "Into the ditch with

  you."

  Then he burst out laughing, for that he called fun; the others

  joined in- the whole party shouted and cried, while the hounds barked.

  While the poor girl was falling she happily caught one of the

  branches of the willow tree, by the help of which she held herself

  over the water, and as soon as the baron with his company and the dogs had disappeared through the gate, the girl endeavoured to scramble9 up, but the branch broke off, and she would have fallen backward among the rushes, had not a strong hand from above seized her at this moment. It was the hand of a pedlar; he had witnessed what had happened from a short distance, and now hastened to assist her.

  "Everything in the right place," he said, imitating the noble

  baron, and pulling the little maid up to the dry ground. He wished

  to put the branch back in the place it had been broken off, but it

  is not possible to put everything in the right place;" therefore he

  stuck the branch into the soft ground.

  "Grow and thrive if you can, and produce a good flute10 for them

  yonder at the mansion," he said; it would have given him great

  pleasure to see the noble baron and his companions well thrashed.

  Then he entered the castle- but not the banqueting hall; he was too

  humble for that. No; he went to the servants' hall. The men-servants

  and maids looked over his stock of articles and bargained with him;

  loud crying and screaming were heard from the master's table above:

  they called it singing- indeed, they did their best. Laughter and

  the howls of dogs were heard through the open windows: there they were feasting and revelling11; wine and strong old ale were foaming12 in the glasses and jugs13; the favourite dogs ate with their masters; now and then the squires14 kissed one of these animals, after having wiped its mouth first with the tablecloth15. They ordered the pedlar to come up, but only to make fun of him. The wine had got into their heads, and reason had left them. They poured beer into a stocking that he could drink with them, but quick. That's what they called fun, and it made them laugh. Then meadows, peasants, and farmyards were staked on one card and lost.

  "Everything in the right place!" the pedlar said when he had at

  last safely got out of Sodom and Gomorrah, as he called it. "The

  open high road is my right place; up there I did not feel at ease."

  The little maid, who was still watching the geese, nodded kindly

  to him as he passed through the gate.

  Days and weeks passed, and it was seen that the broken

  willow-branch which the peddlar had stuck into the ground near the

  ditch remained fresh and green- nay16, it even put forth17 fresh twigs;

  the little goose-girl saw that the branch had taken root, and was very

  pleased; the tree, so she said, was now her tree. While the tree was

  advancing, everything else at the castle was going backward, through

  feasting and gambling19, for these are two rollers upon which nobody

  stands safely. Less than six years afterwards the baron passed out

  of his castle-gate a poor beggar, while the baronial seat had been

  bought by a rich tradesman. He was the very pedlar they had made fun of and poured beer into a stocking for him to drink; but honesty and industry bring one forward, and now the pedlar was the possessor of the baronial estate. From that time forward no card-playing was permitted there.

  "That's a bad pastime," he said; "when the devil saw the Bible for

  the first time he wanted to produce a caricature in opposition20 to

  it, and invented card-playing."

  The new proprietor21 of the estate took a wife, and whom did he

  take?- The little goose-girl, who had always remained good and kind,

  and who looked as beautiful in her new clothes as if she had been a

  lady of high birth. And how did all this come about? That would be too long a tale to tell in our busy time, but it really happened, and

  the most important events have yet to be told.

  It was pleasant and cheerful to live in the old place now: the

  mother superintended the household, and the father looked after things out-of-doors, and they were indeed very prosperous.

  Where honesty leads the way, prosperity is sure to follow. The old

  mansion was repaired and painted, the ditches were cleaned and

  fruit-trees planted; all was homely22 and pleasant, and the floors

  were as white and shining as a pasteboard. In the long winter evenings

  the mistress and her maids sat at the spinning-wheel in the large

  hall; every Sunday the counsellor- this title the pedlar had obtained,

  although only in his old days- read aloud a portion from the Bible.

  The children (for they had children) all received the best education, but they were not all equally clever, as is the case in all families.

  In the meantime the willow tree near the drawbridge had grown up

  into a splendid tree, and stood there, free, and was never clipped.

  "It is our genealogical tree," said the old people to their

  children, "and therefore it must be honoured."

  A hundred years had elapsed. It was in our own days; the lake

  had been transformed into marsh23 land; the whole baronial seat had,

  as it were, disappeared. A pool of water near some ruined walls was

  the only remainder of the deep ditches; and here stood a magnificent

  old tree with overhanging branches- that was the genealogical tree.

  Here it stood, and showed how beautiful a willow can look if one

  does not interfere24 with it. The trunk, it is true, was cleft25 in the

  middle from the root to the crown; the storms had bent it a little,

  but it still stood there, and out of every crevice26 and cleft, in which

  wind and weather had carried mould, blades of grass and flowers sprang forth. Especially above, where the large boughs27 parted, there was quite a hanging garden, in which wild raspberries and hart's-tongue ferns throve, and even a little mistletoe had taken root, and grew gracefully28 in the old willow branches, which were reflected in the

  dark water beneath when the wind blew the chickweed into the corner of the pool. A footpath29 which led across the fields passed close by the old tree. High up, on the woody hillside, stood the new mansion. It had a splendid view, and was large and magnificent; its window panes30 were so clear that one might have thought there were none there at all. The large flight of steps which led to the entrance looked like a

  bower covered with roses and broad-leaved plants. The lawn was as

  green as if each blade of grass was cleaned separately morning and

  evening. Inside, in the hall, valuable oil paintings were hanging on

  the walls. Here stood chairs and sofas covered with silk and velvet,

  which could be easily rolled about on castors; there were tables

  with polished marble tops, and books bound in morocco with gilt31 edges.

  Indeed, well-to-do and distinguished32 people lived here; it was the

  dwelling of the baron and his family. Each article was in keeping with

  its surroundings. "Everything in the right place" was the motto

  according to which they also acted here, and therefore all the

  paintings which had once been the honour and glory of the old

  mansion were now hung up in the passage which led to the servants'

  rooms. It was all old lumber33, especially two portraits- one

  representing a man in a scarlet34 coat with a wig18, and the other a

  lady with powdered and curled hair holding a rose in her hand, each of them being surrounded by a large wreath of willow branches. Both

  portraits had many holes in them, because the baron's sons used the

  two old people as targets for their crossbows. They represented the

  counsellor and his wife, from whom the whole family descended35.

  "But they did not properly belong to our family," said one of the boys; "he was a pedlar and she kept the geese. They were not like papa and mamma." The portraits were old lumber, and "everything in its right place." That was why the great-grandparents had been hung up in the passage leading to the servants' rooms.

  The son of the village pastor36 was tutor at the mansion. One day he

  went for a walk across the fields with his young pupils and their

  elder sister, who had lately been confirmed. They walked along the

  road which passed by the old willow tree, and while they were on the

  road she picked a bunch of field-flowers. "Everything in the right

  place," and indeed the bunch looked very beautiful. At the same time

  she listened to all that was said, and she very much liked to hear the

  pastor's son speak about the elements and of the great men and women in history. She had a healthy mind, noble in thought and deed, and with a heart full of love for everything that God had created. They

  stopped at the old willow tree, as the youngest of the baron's sons

  wished very much to have a flute from it, such as had been cut for him from other willow trees; the pastor's son broke a branch off.

  "Oh, pray do not do it!" said the young lady; but it was already done.

  "That is our famous old tree. I love it very much. They often laugh at

  me at home about it, but that does not matter. There is a story

  attached to this tree." And now she told him all that we already

  know about the tree- the old mansion, the pedlar and the goose-girl

  who had met there for the first time, and had become the ancestors

  of the noble family to which the young lady belonged.

  "They did not like to be knighted, the good old people," she said;

  "their motto was 'everything in the right place,' and it would not

  be right, they thought, to purchase a title for money. My grandfather,

  the first baron, was their son. They say he was a very learned man,

  a great favourite with the princes and princesses, and was invited

  to all court festivities. The others at home love him best; but, I

  do not know why, there seemed to me to be something about the old

  couple that attracts my heart! How homely, how patriarchal, it must

  have been in the old mansion, where the mistress sat at the

  spinning-wheel with her maids, while her husband read aloud out of the Bible!"

  "They must have been excellent, sensible people," said the

  pastor's son. And with this the conversation turned naturally to

  noblemen and commoners; from the manner in which the tutor spoke37 about the significance of being noble, it seemed almost as if he did not belong to a commoner's family.

  "It is good fortune to be of a family who have distinguished

  themselves, and to possess as it were a spur in oneself to advance

  to all that is good. It is a splendid thing to belong to a noble

  family, whose name serves as a card of admission to the highest

  circles. Nobility is a distinction; it is a gold coin that bears the

  stamp of its own value. It is the fallacy of the time, and many

  poets express it, to say that all that is noble is bad and stupid, and

  that, on the contrary, the lower one goes among the poor, the more

  brilliant virtues38 one finds. I do not share this opinion, for it is

  wrong. In the upper classes one sees many touchingly39 beautiful traits;

  my own mother has told me of such, and I could mention several.

  One day she was visiting a nobleman's house in town; my grandmother, I believe, had been the lady's nurse when she was a child. My mother and the nobleman were alone in the room, when he suddenly noticed an old woman on crutches40 come limping into the courtyard; she came every Sunday to carry a gift away with her.

  "'There is the poor old woman,' said the nobleman; 'it is so

  difficult for her to walk.'

  "My mother had hardly understood what he said before he

  disappeared from the room, and went downstairs, in order to save her

  the troublesome walk for the gift she came to fetch. Of course this is

  only a little incident, but it has its good sound like the poor

  widow's two mites41 in the Bible, the sound which echoes in the depth of every human heart; and this is what the poet ought to show and point out- more especially in our own time he ought to sing of this; it does good, it mitigates42 and reconciles! But when a man, simply because he is of noble birth and possesses a genealogy43, stands on his hind44 legs and neighs in the street like an Arabian horse, and says when a commoner has been in a room: 'Some people from the street have been here,' there nobility is decaying; it has become a mask of the kind that Thespis created, and it is amusing when such a person is

  exposed in satire45."

  Such was the tutor's speech; it was a little long, but while he

  delivered it he had finished cutting the flute.

  There was a large party at the mansion; many guests from the

  neighbourhood and from the capital had arrived. There were ladies with tasteful and with tasteless dresses; the big hall was quite crowded with people. The clergymen stood humbly46 together in a corner, and looked as if they were preparing for a funeral, but it was a festival-only the amusement had not yet begun. A great concert was to take place, and that is why the baron's young son had brought his willow

  flute with him; but he could not make it sound, nor could his

  father, and therefore the flute was good for nothing.

  There was music and songs of the kind which delight most those

  that perform them; otherwise quite charming!

  "Are you an artist?" said a cavalier, the son of his father;

  "you play on the flute, you have made it yourself; it is genius that

  rules- the place of honour is due to you."

  "Certainly not! I only advance with the time, and that of course

  one can't help."

  "I hope you will delight us all with the little instrument- will

  you not?" Thus saying he handed to the tutor the flute which had

  been cut from the willow tree by the pool; and then announced in a

  loud voice that the tutor wished to perform a solo on the flute.

  They wished to tease him- that was evident, and therefore the tutor

  declined to play, although he could do so very well. They urged and

  requested him, however, so long, that at last he took up the flute and

  placed it to his lips.

  That was a marvellous flute! Its sound was as thrilling as the

  whistle of a steam engine; in fact it was much stronger, for it

  sounded and was heard in the yard, in the garden, in the wood, and

  many miles round in the country; at the same time a storm rose and

  roared; "Everything in the right place." And with this the baron, as

  if carried by the wind, flew out of the hall straight into the

  shepherd's cottage, and the shepherd flew- not into the hall,

  thither he could not come- but into the servants' hall, among the

  smart footmen who were striding about in silk stockings; these haughty47 menials looked horror-struck that such a person ventured to sit at table with them. But in the hall the baron's daughter flew to the

  place of honour at the end of the table- she was worthy48 to sit

  there; the pastor's son had the seat next to her; the two sat there as

  if they were a bridal pair. An old Count, belonging to one of the

  oldest families of the country, remained untouched in his place of

  honour; the flute was just, and it is one's duty to be so. The

  sharp-tongued cavalier who had caused the flute to be played, and

  who was the child of his parents, flew headlong into the fowl-house,

  but not he alone.

  The flute was heard at the distance of a mile, and strange

  events took place. A rich banker's family, who were driving in a coach and four, were blown out of it, and could not even find room behind it with their footmen. Two rich farmers who had in our days shot up higher than their own corn-fields, were flung into the ditch; it was a dangerous flute. Fortunately it burst at the first sound, and that was a good thing, for then it was put back into its owner's pocket- "its right place."

  The next day, nobody spoke a word about what had taken place; thus

  originated the phrase, "to pocket the flute." Everything was again

  in its usual order, except that the two old pictures of the peddlar

  and the goose-girl were hanging in the banqueting-hall. There they

  were on the wall as if blown up there; and as a real expert said

  that they were painted by a master's hand, they remained there and

  were restored. "Everything in the right place," and to this it will

  come. Eternity49 is long, much longer indeed than this story.

  THE END

  LastIndexNext

  Written By Anderson

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