The essence of the path is that it is contrary to the highway and has no definite destination. But this does not mean that it does not lead to any direction. It does not mean that all walks of life will be lost in all cases. On the contrary. The stroll I mentioned earlier is an exploration, a slow discovery, the only way to really know mountains. In other words, fictions in the form of variation are not closely connected to each other and the feature of "music fragments" is the only way to stealth the various parts of the novel and to limit the true meaning of the theme, and to respect their coherent forms and rhythms. Of course, at the end of all the paths or paths that make us all over the mountains - they make up a broader view, and some of the pictures are more direct and more intense.
In the immortality, the theme of the pastoral song appears once again in the work, but it is worth noting that the theme is quite different from the previous one. First, the political Utopia of the positive idyllic pastoral means and the image of the utopian Utopian no longer have the same complete tendencies; it continues to exist in Paul's thinking, through his memory of the 1968 "May storm", but this is a dead reference, and we can even say that it is a positive idyllic. The corpse of the pastoral song. Here, we are completely in the world after ideology, which transcends history.
We have been away from the desert pursued by Yang wick and Thomas. To "return" to self is no longer to escape to the peace and edge that can be released to self, no longer to leave the stage, away from the crowd, to avoid the harm of the crowd to us; to return to self should come to the market and display me in all eyes. Because it is a world of pastoral pastoral, in the final analysis, the modern self world is still a totalitarian world - in a sense, even more harmful than the other types of pastoral songs, because there is no foundation outside the world, and no one can do it for itself. The inevitability of "transcendence". This is a totalitarian power at the end of history.
Kundla's writing style and language expression are still worth learning. Forget the philosopher saying that life is philosophy. There is a reasonable existence. Then everyone exists, which means that its philosophy is reasonable, each person has its own way of life and way of thinking, and according to these modes of thinking to live, is the individual's own philosophy. Every character in Kundla's pen is a different philosophy. The name of each chapter metaphores a theme of thinking. "Face" means self. "Immortality" means fame and fame. "Struggle" means Agnes and Luo, "emotional man" means perceptual, "chance" is associated with "bell", "celebration" is the most. The end of the end? I can't be sure to say it is, and it would be a different idea to read later, but the same thing is that Kundla has always led the reader into thinking, no answer.
《西游记》英语读后感_700字
