人常说隶书给人的感觉太张扬，而楷书给人的感觉太拘泥。而聪明的郑板桥将隶书与行楷相结合，形成独一无二的“板桥体”。歪歪斜斜而又错落有致，实属妙哉！有人说，这种作品“不可无一，不可有二”，实为有理，我颇有同感。不仅是书法界还是我们的社会，不是缺乏“郑板桥”，就是“郑板桥”仿品太多！我们需要的是真正的“板桥体”，需要创新，而不是泛滥的空壳。
People often say that official script makes people feel too public, while regular script makes people feel too rigid. The clever Zheng Banqiao combines official script with Xingkai to form a unique "Banqiao style". It's wonderful that it's askew, askew and random! Some people say that this kind of work "can not be one, can not have two", it is reasonable, I quite feel the same. It's not only the calligraphy circle but also our society. It's either lack of "zhengbanqiao" or too many imitations of "zhengbanqiao"! What we need is a real "slab bridge body", which needs innovation, not a flooded empty shell.
幼时学习书法，前期都是以临摹为主，刚开始练得很辛苦；直到后来，我才深究其意。原来，学习别人的字体与风格是难，特别是要将那种字体与自己思想情感甚至你的笔法融于一体，然而，真正的境界在于练就你自己的风格，这就是难上加难。学习多年，我仍还未成气候。因此甚是佩服郑板桥这类的先驱。然而，现在书法界中许多自称“书法家”的人，其实也与我的处境一样尴尬，只不过他们的“火候”比我更深罢了。其实也缺少了他们的“个性”。他们的“描摹”虽能形似，却不神似，也验证了“不可无一，不可有二”的道理。又岂止书法需要“板桥体”，我们的社会也需要其注入。
When I was a child, I studied calligraphy mainly by copying at the early stage, and I had to work hard at the beginning; I didn't study its meaning until later. It turns out that it's difficult to learn other people's fonts and styles, especially to integrate those fonts with your own thoughts and feelings and even your writing skills. However, the real realm is to practice your own style, which is even more difficult. After years of study, I still haven't made it. So I admire such pioneers as Zheng Banqiao. However, many calligraphers who call themselves "calligraphers" are in the same awkward situation as me, except that their "fire" is deeper than me. In fact, they lack of "personality". Their "description" can be similar in shape but not in spirit, which also proves the truth that "there can be no one and no two". Not only does calligraphy need "Banqiao style", but also our society needs its injection.
在我们的作文界时常会闹出两个字“抄袭”。如今书籍泛滥，人人都是“作家”，人人都可有一两本“着作”。然而，却有大部分金玉其外，败絮其中，实为狼狈。他们把名家的珍品抄袭一番，汇就一本书，却弄得个四不像。所以说，真正有价值的、意境高的你也抄不像，不如开创自己的品牌，自力更生呗！
There are often two words "plagiarism" in our composition circle. Nowadays, books are rampant, everyone is a "writer", and everyone can have one or two "works". However, there are most of the gold and jade, which is really a mess. They plagiarized the treasures of famous scholars and collected them into a book, but they were not like each other. So you can't copy the real valuable and high artistic conception. It's better to create your own brand and self-reliance!
且说最近红爆一时的小沈阳，大家都被他的搞笑天赋所吸引。小沈阳却实在是别出心裁，独树新枝，但是小沈阳可有一，却不可有二。有一，可谓之新潮，有二，有三则不然，不仅大大削减了其新意，还大大降低了整个社会的审美情趣，这可就不讨好了。因此，无论怎样，我们的社会都需要“板桥体”，需要注入新的活力，更丰富的元素，就像字体一样。
And recently, Little Shenyang, who has been popular for a while, is attracted by his funny talent. Little Shenyang is really out of his own mind, but little Shenyang can have one, but not two. First, it can be called a new trend. Second, it can be called a new trend. Second, it can be called a new trend. Third, it can not be called a new trend. Therefore, no matter what, our society needs "slab bridge", which needs to inject new vitality and richer elements, just like the font.
“板桥体”不仅有助于社会的发展，也告诉我们做人的道理。既不可太张扬，也不可太拘泥，要将隶书与行楷相结合，才适度、中和。要根据自身条件，打出自我的天地，勇于创新，塑造独一无二的个性。
"Banqiao style" not only helps the development of society, but also tells us the truth of being human. It should not be too publicized or too rigid. Only by combining official script with Xingkai can it be moderate and moderate. According to their own conditions, we should play our own world, be brave in innovation and create a unique personality.
放眼未来，希望我们的社会将会有更多不同的“板桥体”，我们都是独一无二的，不可复制的。轻松舞出自己的舞台！
Looking forward to the future, I hope our society will have more different "slab bridge", we are unique and can not be copied. Dance your own stage easily!
[点评]考生对材料的理解紧扣提倡创新、发展个性这一主题，足见其有阅读提炼能力。开篇对楷书和隶书特点的评价，自然引出作文材料，足见其对材料的处理能力。正文由“板桥体”的“不可无一，不可有二”说开去，写到了幼时学习书法“描摹”的感受、写作界的“抄袭”、小沈阳的搞笑新潮，这一由此及彼、由浅入深的议论，足见其有认识事理的思想素质。
[comments] candidates' understanding of materials is closely related to the theme of advocating innovation and developing personality, which shows that they have the ability of reading and refining. At the beginning of the article, the evaluation of the characteristics of regular script and official script naturally leads to the composition materials, which shows its ability to deal with the materials. Starting from the theory of "no one, no two" of "Banqiao style", the text describes the feelings of learning calligraphy "description" in childhood, the "plagiarism" in the writing field, and the funny new trend in Xiaoshenyang. This discussion from one to another and from the simple to the deep shows its ideological quality of understanding and reasoning.
虽然语言表达尚待锤炼，但作为考场作文功底可嘉。
Although the language expression still needs to be tempered, it can be regarded as the foundation of composition in the examination room.
上海市位育中学语文特级教师国庆波
Guo Qingbo, a special Chinese teacher of Weiyu middle school in Shanghai
